Flower Boy (2017) is our favorite Tyler album. His output prior to Flower Boy was hit-and-miss, and IGOR (2019) was overhyped and overrated in our opinion. Tyler is a mainstream media darling with a lot of stans who will love everything he does no matter what, so not blindly praising him is usually means catching a lot of flack. No doubt there’s a host of fans and media types who will declare this album their AOTY (at least until a new Kendrick album drops), but is CALL ME IF YOU GET LOST really any good?
Well, yes it is. CALL ME IF YOU GET LOST is on par with Flower Boy, and it is way better than the edgy-for-edginess-sake IGOR is. CALL ME IF YOU GET LOST feels like Tyler put all of his previous albums in a blender, and kept the best aspects to fuse them into this project. He took some of the abrasive Hip Hop sounds from his older albums like Goblin and Wolf and combined them with the neo-soul synth-funk sounds of Flower Boy and IGOR to great effect.
This definitely isn’t the most conceptual or innovative album Tyler has ever released, but that doesn’t matter. The production on this album is immaculate, impressively done by Tyler alone (except for “JUGGERNAUT”, which was co-produced with Pharrell). Sure, overall production on CALL ME IF YOU GET LOST is less ‘grandiose’ and more understated than it was on his last few projects, but the album is better for it. There’s lots of variety, we get a couple of Hip Hop bangers alternated with smooth neo-soul/R&B flavored songs – which could have resulted in a messy presentation, but Tyler makes it work here.
Also, Tyler is rapping again (his so-so singing is something that brought down IGOR), which is a plus of course. Tyler is still maturing in his songwriting, and even if this album lacks a cohesive narrative structure, Tyler’s observations, introspective thoughts, and storytelling (especially on the epic “WILSHIRE”) are some of the best he ever penned – as evidenced by cuts like “CORSO”, “WUSYANAME”, “HOT WIND BLOWS”, “RUNITUP”, “MANIFESTO”, “MASSA”, and the aforementioned “JUGGERNAUT” and “WILSHIRE”, which all are top-tier Tyler tracks. And then there are the features, that more often than not, reinforce the tracks rather than take away from them – even the likes of Lil Uzi Vert, Lil Wayne, Ty Dolla $ign, 42 Dugg, and YoungBoy NBA manage not to irritate but to actually add value.
Not everything’s perfect though. At times the album meanders when R&B vibes take to the forefront, and it could have done without some of the skits. And who remembers DJ Drama, who made a career of ruining mixtapes with his ‘energetic’ ad-libbing? Well, unfortunately, he is doing his annoying screaming/talking routines on this record a couple of times too often too – every single track here with DJ Drama would have been significantly better without him. You can use his antics on an intro or an outro, but that should be it. These are minor complaints though – overall CALL ME IF YOU GET LOST is a great album, one that can rival Flower Boy for the title of Tyler’s best album yet.
Finally, props to Tyler for honoring Ol’ Dirty Bastard’s memory with his version of the cover art of ODB’s classic Return To The 36 Chambers (1995) album. 8/10
Release date: June 25, 2021.
Download CALL ME IF YOU GET LOST
The post Tyler, The Creator – CALL ME IF YOU GET LOST | Review appeared first on Hip Hop Golden Age.